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I make sense

Missives on media, marketing and more. Edited by Amar Patel

May 3, 2020

Ocean Vuong on choosing your words carefully

by Amar Patel in creative writing, podcast


Ocean Vuong at work (c) John D & Catherine T MacArthur Foundation

Ocean Vuong at work (c) John D & Catherine T MacArthur Foundation

Ocean Vuong at work (c) John D & Catherine T MacArthur Foundation

Ocean Vuong at work (c) John D & Catherine T MacArthur Foundation

Last year, I read Ocean Vuong’s On Earth We’re Briefly Gorgeous and was stunned by his poise: how he could write with astounding acuity and wisdom while bearing such weight of emotion. “There is poetry and there is the noveI,” I said at the time. “This book is both and neither. It is an ark for all that he has wondered at and those he has most cared for up to this point. Part memory, part reverie, but nothing like an autobiography.”

What a joy to discover Ocean was the latest guest on Krista Tippett’s On Being podcast. In a beautiful and tender conversation with the host, recorded at the On Air Fest in Brooklyn, he talked about how his heritage and family have informed his work. What really fascinated me was his perspective on language: how our careful choice of words can help us access one another’s true feelings and make meaning. We are all participants in the future of language, says Vuong.

“The body is the ultimate witness to love. We [in Vietnamese culture] don’t say we love you. Through the body and service, you articulate it through paying attention. Nothing can say I love you more than feeling it from somebody and I think this relationship is how I started to see words. I looked at them as things I can move and care for.

“My grandmother, mother and aunt would tell stories to recalibrate and make sense of their past. A story is carried in the body and it’s edited each time the person tells it. What you have by the time they tell it is a masterclass of form, technique, concision, imagery... This is what these women were giving me.”

He then asks: “What happens to our language, this great, advanced technology that we’ve had, when it starts to fail at its function and it starts to obscure, rather than open? The great loss is that we can move through our whole lives, picking up phones and talking to our most beloveds, and yet, still not know who they are. Our ‘How are you?' has failed us. We have to find something else. When you’re using language, you can create it, use it to divide people and build walls, or you can turn it into something where we can see each other more clearly, as a bridge.”

And I must mention this bit about following your own path. I am not an artist but as the child of immigrants who had quite a different outlook to me, it cut deep. “The first generation made it here, and to live at all is such a privilege that they’re happy, and even encourage you to put your head down: work, fade away, get your meals, and live a quiet life. And I think the second generation, the great conundrum there, the great paradox, is that they want to be seen. They want to make something. And what a better way to make something and feel yourself with agency than to be an artist? So, so many of us immigrant children end up betraying our parents in order to subversively achieve our parents’ dreams.”

It’s not enough to read this author. You need to hear Ocean’s voice to feel the fullness of his being. Please listen to the full podcast here.



Amar Patel

TAGS: Ocean Vuong, On Earth We're Briefly Gorgeous, On Being podcast, On Air Fest, Krista Tippett, writing, language


April 16, 2020

Knowle West boy done good

by Amar Patel in books, music


Tricky Hell Is Round The Corner Book
Tricky Hell Is Round The Corner Book

It was 1997 and the time had come to choose a university. I thought I was destined to be a lawyer (though, in hindsight, I was trying to be someone else’s version of myself). Sorry, mum and dad. Bristol had a top-ranking faculty with a decent rugby team – an important consideration at the time. But none of that mattered. What really made me turn west was a group called Massive Attack. I was obsessed with these guys – everything from their soulful yet gritty sound system vibe to their relative anonymity and that enigmatic 🔥 logo (which I threatened to get a tattoo of at one point).

The voice I gravitated to was Tricky Kid from Knowle West, hushed but plucky and with an undercurrent of menace. He would nonchalantly drift in front of the mic through a heady plume of smoke, do his thing and then slip away to roam around St Paul’s and south Bristol. Fame and work commitments were the last things on his mind ... but he was ambitious, intrepid. It wasn’t long before the kid bust out on his own.

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Amar Patel

TAGS: Tricky, Tricky Kid, Massive Attack, Hell Is Round The COrner, Knowle West, St Paul's Bristol, Maxinquaye, AR Rahman, LL Cool J, Shakespeare's Sister, Martina Topley-Bird, PJ Harvey, Terry Hall, The Fifth Element, Shaun Ryder, Andrew Perry journalist, Moon Palace, Mercury Music Prize 1995, downtown Manhattan, Mazy Mina Topley-Bird, bjorkl, bjork


March 19, 2020

The new reality

by Amar Patel


Workers place a mask on a figure made for the Fallas festival in Valencia, Spain, on 11 March 2020. The festival, which was scheduled to take place on March 13, has been cancelled due to the coronavirus outbreak

Workers place a mask on a figure made for the Fallas festival in Valencia, Spain, on 11 March 2020. The festival, which was scheduled to take place on March 13, has been cancelled due to the coronavirus outbreak

Workers place a mask on a figure made for the Fallas festival in Valencia, Spain, on 11 March 2020. The festival, which was scheduled to take place on March 13, has been cancelled due to the coronavirus outbreak

Workers place a mask on a figure made for the Fallas festival in Valencia, Spain, on 11 March 2020. The festival, which was scheduled to take place on March 13, has been cancelled due to the coronavirus outbreak

It’s been a long time coming, hasn’t it? A reset. From rising inequality, division and conflict across the world, to rapacious human need disrupting and devastating the natural environment, something had to give. But, Hollywood’s screenwriters aside, who could have envisaged anything like this? A deadly menace heading your way, a faceless nemesis crossing borders, shaking our foundations…

This is a very unsettling time so in many ways. Thousands of lives lost and hundreds of thousands of others struck down by a virus no one has the measure of. The rest of us hanging on every breaking news report and data set like a live match report or scoreboard. What’s the latest? What are our chances? It’s the unknown, ambush element in all of this that is most unnerving.

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Amar Patel

TAGS: coronavirus, COVID-19, flattening the curve, herd immunity, Erykah Badu, Rishi Sunak, The Atlantic, Pew research Center, Amazon, The Washington post, Shin Bet, Al Jazeera, S&P Global, Li Edelkoort, Rupi Kaur


February 25, 2020

Past caring?

by Amar Patel in journalism, law, social media


Caroline-flack-sun-front-pages
Caroline-flack-sun-front-pages

If the hallmark of society is compassion and our ability to respect each other, then these are sour, dysfunctional times. The other evening I had a brief chat with a friend about the tragic death of Caroline Flack. Normally a thoughtful and kind-hearted guy, his couldn’t-care-less attitude was jarring. Now I didn’t follow her on Instagram and seldom watch Love Island, which she hosted for several years. But the fact that someone so loved was in such distress that she would consider suicide her only option … it saddened me.

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Amar Patel

TAGS: caroline flack, Love Island, ITV, Yahoo News, Tortoise Media, Daily Mirror, The Sun, Daily Mail, Leah Green Guardian, Jo Stevens MP, Leveson Inquiry, press regulation, suicide, Facebook, Instagram, Twitter, Russell brand, Will Francis econsuiltancy, Paul Connew, reality TV


January 14, 2020

Coal Black Mornings – Brett Anderson and the making of Suede

by Amar Patel in books, music


Suede frontman Brett Anderson’s memoir Coal Black Mornings, reviewed by Amar Patel
Suede frontman Brett Anderson’s memoir Coal Black Mornings, reviewed by Amar Patel

It was Instinct and curiosity that drew me to the Brett Anderson memoir Coal Black Mornings in my local library. No fanboying, that’s for sure. I was more into Blur, Oasis and Pulp in my youth and although tracks such as ‘Animal Nitrate’ and ‘Trash’ are certified tunes – and Bernard Butler clearly is a gifted guitarist and composer – I couldn’t get past the frontman’s sullen affectations and the proto-EMO image.

But it is Suede who have arguably fared best of all the so-called Britpop bands over time. That last album was a triumphant return and ‘The Wild Ones’ still moves me like few other songs from the 90s. This guy must have something interesting to say about life in Britain...

I certainly pay more attention to lyrics these days and in this book we get to appreciate Anderson’s probing eloquence over a couple of hundred pages. He takes us back to his humble childhood in Hayward’s Heath and an unsettled adolescence (pushing back against parents and the predetermined path). We feel the burning ambition of his twenties as he busts out of small-town shackles and bounces from squat to flat in London. This is the tale of man and boy.

A smart move to dodge the score-settling, salacious showbiz autobiography in favour of something more diaristic, and to conclude just as he and the band are on the cusp of hard-won success. You can tell he loves language and aspires to great writing, just as he longed to make great art in music rather than settle for fame and fading hedonism.

Sure, he can be earnest from time to time, but I found him endearing rather than irritating. In the intro, he lays out his ambition for the memoir – to document his upbringing and to create a public record of a hitherto private life, which might also serve as a very personal letter to his son.

To show that his old man was a guy who “loved and lost, fought and felt”. Flick through these images and you will see he writes beautifully about myriad topics most of us can relate to: his devotion to a wonderful mother; dealing with disappointments and embracing failure time and again; how to develop fruitful relationships with others and overcome soured ones.



Amar Patel

TAGS: Suede, Brett Anderson, Coal Black Mornings, autobiography, Animal Nitrate, The Wild Ones


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